
Vercingetorix
after Lionel Royer, 1899
Acrylic on canvas · 90×60 cm
€ 2,000 — AvailableAcademic Painting · Romania · Est. 2023
Reinterpreting the masters of 19th century European academic painting.
Self-taught. 17 years old. Piatra Neamț, Romania.
I am 17 years old and I have never taken a single art class. Everything I know about painting I learned by studying the masters — copying their work until I understood why every choice they made was the right one.
I work primarily in acrylic on large-format canvas, focused on figurative and historical subjects. I also paint Orthodox icons and create concept art and illustration.
In 2025 I held my first solo exhibition at Colegiul Național Petru Rareș, Piatra Neamț, showing five large-format reinterpretations of 19th century European masters.






The Orthodox icon is not a painting — it is a window into the sacred. Each icon is written with prayer and intention, following the canons of the Byzantine tradition while remaining a living, personal act of devotion. I work on wooden panels prepared with gesso, using traditional techniques and acrylic.
All icons are painted on prepared wooden panels (levkas ground). Gold leaf nimbus included. Each icon ships with a certificate and a brief note on the saint or scene depicted. International shipping available. Commission time: 3–8 weeks depending on complexity.
For those who wish to live with these works without acquiring the original — archival fine art prints, hand-signed and numbered in a limited edition of 20 copies per image. Printed on 310 g/m² cotton rag paper with pigment inks rated for 100+ years. Each print is delivered rolled in a protective tube, signed in pencil, numbered from the edition, and accompanied by a certificate of authenticity.
To order a print, use the contact form below — select Print order, specify the painting and the size. I will confirm availability and invoice via email. Shipping within Romania: free. International shipping: calculated at checkout.
Order a PrintEvery painting begins with months of studying the original — understanding the master's compositional choices, light sources, and emotional intent.
Precise pencil drawing transferred to canvas. Every figure, every drapery fold, every architectural detail mapped before paint touches the surface.
Underpainting in burnt sienna — building the value structure, establishing light and shadow before any colour is introduced.
Layer by layer, glazing and direct painting in combination — building depth, luminosity, and the final surface that makes academic painting unmistakable.
Each painting is a unique original, created with the same care and attention as the works shown above. Commissions are accepted for academic painting reinterpretations, animal portraits, and iconic paintings.
All originals include a signed certificate of authenticity and can be shipped internationally.
Follow the process
@crina.fineartBehind the canvas — process shots, works in progress, studio life.